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Bad Cop / Bad Cop in Berlin am Freitag, den 28.07.23

Datum:
Fr, 28.07.23
Location:
Cassiopeia
Revaler Strasse 99
10245 Berlin

https://cassiopeia-berlin.de/
Karte (lädt Daten von Openstreetmap)
Berichte:
Line-Up:
28.07.2023 Bad Cop Bad Cop & Venomous Pinks & Razor Cunts / Berlin / cassiopeia
Infos:
Einlass 19:00
Start 20:00

Tickets:
https://www.eventim.de/event/bad-copbad-cop-bad-cop-bad-cop-cassiopeia-12431965/
https://www.koka36.de/bad-cop-bad-cop_ticket_122505.html

ALTE 2022 TICKETS BEHALTEN IHRE GÜLTIGKEIT!

Destiny Tourbooking, Fat Wreck Chords, OxFanzine, Plastic Bomb Fanzine, SLAM ALTERNATIVE MUSIC MAGAZINE und cassiopeia präsentieren:

BAD COP/BAD COP (Punk Rock | USA)
https://www.facebook.com/badcopbadcopband/
https://www.youtube.com/watch?v=8GKqGEwbQxc

VENOMOUS PINKS ( Punk Rock | USA)
https://www.facebook.com/venomouspinks
https://www.youtube.com/watch?v=Au8nqTRkFwQ&t=10s

RAZOR KUNTS (Punk, Cello, Riot Grrl | Berlin)
https://www.facebook.com/razorkunts
https://razorcunts.bandcamp.com/

Do you remember where you were at when Covid hit the Western World in march 2020 and started to shut down or day to day life? Bad Cop Bad Cop from LA, California were in the middle of their European tour for their third record „The Ride“ (via FAT WRECK) when the news of uncertainty struck. In some of last minute attempt they managed to get back home to the States right before borders closed, flights stop operating and our daily life as we used to know it, came to an unexpected halt.
A lots has happened since this historic spring, a lot of things have changed. But not Bad Cop Bad Cops urge to come back to Europe and make up for that one time when they couldn’t continue their tour. They were part of the US Punk In Drublic, played shows with The Homeless Gospel Choir, Good Riddance & Hot Water Music in the States; they wrote new songs and they can’t wait to come back to Europe next year - twice.
Let’s make up for 2020 folks!
Let's bring on the UP THE PUPS TOUR 2023!

Über BAD COP/BAD COP:

In a time of chronic rage, happiness is revolutionary.
Bad Cop Bad Cop has done angry. The band’s 2017 full-length, Warriors, was recorded in the aftermath of the 2016 presidential election. The Los Angeles quartet’s new full-length, The Ride (Fat Wreck Chords, June 19th), shows what happens when you come out the other side of that anger.
“It’s not that I am just stoked or blind to suffering,” says singer-guitarist Jennie Cotterill. “I think anger is a legitimate and understandable reaction to injustice and wrongdoing. It’s just that for myself, I am trying to move past ‘reaction’ into productive ‘response.’”
The message BCBC is sending this time around is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. As Cotterill puts it, “Love is a more powerful truth than anger.” That positivity fuels many of The Ride’s tracks: “Originators,” “Simple Girl,” “Community,” “I Choose,” “Perpetual Motion Machine,” and “The Mirage” exude confidence, gratitude, and compassion. In 2020, such things qualify as contrarian.
"These are political statements—self-love is a huge fucking statement," affirms singer-guitarist Stacey Dee. "Self-love means putting a fix on the problems at home before trying to fix everything in the world. It's asking people to find it in themselves to create the life that they really want to have so they're not in turmoil, so they're not in a place of stress and sickness."
Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on “Breastless,” whose bright melodies belie the struggle described in the lyrics.
“Certain Kind of Monster” and “Pursuit of Liberty”—both written and sung by bassist Linh Le—are blistering repudiations of the current administration’s treatment of immigrants.
The former is an imagined conversation with an ICE agent, and the latter juxtaposes her family’s immigration to the U.S. from Vietnam in 1975 to current events, something she’s never explored musically.
The perspective behind The Ride lends it an undeniable maturity, without losing its power. Recorded throughout much of 2018 and 2019 by Johnny Carey and Fat Mike of production team the D-Composers, the album boasts all of the elements of BCBC’s sound: big guitars, lock-step bass and drums (the latter by powerhouse drummer Myra Gallarza), intricate vocal harmonies, and plenty of attitude.
Zum Einsteller des Events (zuletzt geändert: 27.10.2022 07:51)
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